Shimha's art evokes nostalgic melancholy for a forgotten Maldives' era

 (Me posing with Shimha's self-portrait and her exhibition's introductory text yesterday at the National Art Gallery in Male'. Photo shot from a friend’s Redmi Note 10 Pro)

At the ongoing exhibition in the National Art Gallery (NAG) in Male', I was captivated by Shimha Shakeeb's watercolor painting depicting Male' in the 1970s - a bygone time when life was simple yet challenging for mere survival. This piece encapsulates the essence of her current art exhibition.

Titled "Seeking Simple," the exhibition runs until June 9, 2023, with operating hours from 10:00 am to 10:00 pm, and on Fridays from 2:30 pm to 10:00 pm.

Shimha's collection primarily showcases the traditional and old way of life and culture in the Maldives' islands, reminiscent of a bygone era when houses were surrounded by lush greenery, providing various shades of foliage, and a distinct natural environment.

Regrettably, these scenes now reside solely in the memories of the aging generation of middle-aged Maldivians. However, through the artistic expressions of painters like Shimha, the younger generation seeking insight into the Maldives of the past and adults reminiscing about their childhood can connect with these images.

The exhibition's catalog, as well as prints and bags featuring Shimha's art, are available for purchase at the NAG reception counter.

During my visit, I noticed a few foreign tourists and expatriates braving the rain to enter the exhibition, mirroring the determination of some Maldivians.

I had the opportunity to meet Shimha when I visited NAG in the late afternoon yesterday. I expressed my sincere admiration for her artistic talent, particularly since another Maldivian artist had previously informed me that watercolor is considered the most challenging medium. This difficulty stems from the need to wait for each layer of color to dry and apply lighter colors first due to the water drying process on paper.

Shimha shared with me and a friend who accompanied me that an instructor had advised her to practice extensively in order to achieve the desired effect. This indicated to me that she was already a talented artist.

It was heartening to witness people of all ages taking time out of their weekends to visit Shimha's exhibition. This reminded me of a Maldivian art critic's remark about these being favorable times for Maldivian art and artists. I sincerely hope that this remains true.